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・ Sereno Edwards Dwight
・ Sereno Merrill
・ Sereno Peck Fenn
・ Sereno River
・ Serenade for Strings (Elgar)
・ Serenade for Strings (Kalinnikov)
・ Serenade for Strings (Suk)
・ Serenade for Strings (Tchaikovsky)
・ Serenade for Tenor, Horn and Strings
・ Serenade for the Dead
・ Serenade for Thirteen Wind Instruments
・ Serenade for Two Spies
・ Serenade for Violin, Viola and Cello (Beethoven)
・ Serenade for Wind Instruments (Dvořák)
・ Serenade In Blue
Serenade in E-flat major (Saint-Saëns)
・ Serenade in F major (Stanford)
・ Serenade in Red
・ Serenade No. 10 (Mozart)
・ Serenade No. 11 (Mozart)
・ Serenade No. 12 (Mozart)
・ Serenade No. 4 (Mozart)
・ Serenade No. 5 (Mozart)
・ Serenade No. 6 (Mozart)
・ Serenade No. 7 (Mozart)
・ Serenade No. 9 (Mozart)
・ Serenade of Texas
・ Serenade of the Bells
・ Serenade to a Bus Seat
・ Serenade to a Soul Sister


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Serenade in E-flat major (Saint-Saëns) : ウィキペディア英語版
Serenade in E-flat major (Saint-Saëns)
Camille Saint-Saëns Serenade in E flat major, Op. 15 ((フランス語:Sérénade en mi bémol majeur)) is a chamber composition for a quartet consisting of piano, organ, violin, viola (or cello) composed in 1865. It is one of the earliest works by the composer making use of an organ (or harmonium) in a chamber ensemble, preceded only by the Six Duos for harmonium and piano, Op. 8. In addition to the original scoring the work has been transcribed for orchestra, piano solo, piano four-hands and for piano quartet, with a cello taking the part of the organ.
==Background==
Composition of the Serenade began in 1865 and was completed by May of that year with publication, dedicated to Princess Mathilde Bonaparte Demidoff who in 1860 had exempted Saint-Saëns from military service, following shortly afterwards.〔 The first performance did not however take place until the following year when it was performed at a soirée held by the Prince of Hohenzollern on the 7th of January 1866. On that occasion the organ was played by the composer, while Julian Sauzay played the piano.〔 The Serenade was performed twice more in 1866, the third performance being attended by Hector Berlioz, Charles Gounod and Franz Liszt.〔

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